Sunday, 14 August 2016

THE MODERN ARTS NOTES PODCAST

Episode No. 242 of The Modern Art Notes Podcast features artists Matthew Ronay and Arlene Shechet.
Ronay is the subject of two exhibitions at American museums: The Blaffer Art Gallery at the University of Houston is showing an eponymous survey of Ronay’s work. Curated by Blaffer director Claudia Schmuckli, it’s on view through October 1. The Perez Art Museum Miami, formerly known as the Miami Art Museum, is showing a Ronay installation in its projects space through January 15, 2017. It was curated by Diana Nawi.
Ronay was in the 2013 Lyon Biennial, and has been included in group shows at SculptureCenter in New York, Schirn Kunsthalle in Frankfurt, the Kemper Museum of Contemporary Art in Kansas City and the Socrates Sculpture Park in Long Island City. His work is in the collections of MoMA, LACMA, the Whitney Museum of American Art, the Henry Art Gallery, and more.
The second segment is an excerpt from host Tyler Green’s 2015 conversation with Arlene Shechet on the occasion of her mid-career survey at the Institute of Contemporary Art Boston. The Frick Collection in New York has asked Shechet to curate an installation of works from a promised collection of Royal Meissen porcelain, and to include her own work, made from molds Meissen made available to Shechet when she was an artist-in-residence there, in the exhibition. The show, “Porcelain, No Simple Matter: Arlene Shechet and the Arnhold Collection,” will be on view through April 2, 2017

Matthew Ronay, Organ/Organelle installed at Marc Foxx, Los Angeles, September 6-October 4, 2014

Source:https://manpodcast.com/portfolio/no-242-matthew-ronay-arlene-shechet/

Painting Art Reproduction

ARTISTS, MOVEMENTS AND STYLES IN MODERN ART (1870-1930)

 

IMPRESSIONISM
(C.1870-1890)

CLAUDE MONET (1840-1926) 'Rouen Cathedral in Full Sunlight', 1893/4
CLAUDE MONET (1840-1926)
'Rouen Cathedral in Full Sunlight', 1893-94 (oil on canvas)
Impressionism is the name given to a colorful style of painting in France at the end of the 19th century. The Impressionists searched for a more exact analysis of the effects of color and light in nature. They sought to capture the atmosphere of a particular time of day or the effects of different weather conditions. They often worked outdoors and applied their paint in small brightly colored strokes which meant sacrificing much of the outline and detail of their subject. Impressionism abandoned the conventional idea that the shadow of an object was made up from its color with some brown or black added. Instead, the Impressionists enriched their colors with the idea that a shadow is broken up with dashes of its complementary color.
Among the most important Impressionist painters were Claude Monet, Pierre Auguste Renoir, Edgar Degas, Camille Pissarro, Alfred Sisley and Henri de Toulouse Lautrec.

POST IMPRESSIONISM
(C.1885-1905)

VINCENT VAN GOGH (1853-90) 'Café Terrace at Night', 1888 (oil on canvas)
VINCENT VAN GOGH (1853-90)
'Café Terrace at Night', 1888 (oil on canvas)

Post Impressionism was not a particular style of painting. It was the collective title given to the works of a few independent artists at the end of the 19th century. The Post Impressionists rebelled against the limitations of Impressionism to develop a range of personal styles that influenced the development of art in the 20th century.The major artists associated with Post Impressionism were Paul Cézanne, Paul Gauguin, Vincent Van Gogh and Georges Seurat.
Cézanne was an important influence on Picasso and Braque in their development of Cubism. Van Gogh's vigorous and vibrant painting technique was one of the touchstones of bothFauvism and Expressionism, while Gauguin's symbolic color and Seurat's pointillist technique were an inspiration to 'Les Fauves'.

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Abstract Art 

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Friday, 12 August 2016

Filipino Culture,Customs And Traditions

The Filipino people is rich in customs and traditions. Many of these are in connection with their family life such as DATING, MARRIAGE and BURIAL, RELIGIOUS and many more........
About Dating
Women during the Spanish regime were generally shy, refined and inhibited. Their behavior was strictly monitored by the family to maintain their good reputation. A girl was not seen alone with a man; he did not touch them, not even her hands when talking to each other they were always an arm's length apart. A man got to know a woman only by being a friend of the woman's trusted friend who would help in case he wanted to have the opportunity to see the girl of his dreams. He did not directly approach the woman; that was impolite. On the other hand, the woman did not face a man alone; to exchange glances with the man was unbecoming.
A man who had the courage to ask for a date had to pass several tests. First, he got the permission of the girl's parents to visit their daughter. Once he was permitted, his formal visit was in full attendance of the older members of the family who also participated in the conversation. The hardest test was how to convince the girl to say yes because the woman played hard to get. She kept putting off her answer. When the man finally succeeded, the girl was strictly chaperoned during their date so that he was not even able to whisper romantic words.
About Marriage
MARRIAGE is a sacred to the Filipinos. One becomes the butt of jokes if he or she remains single. A bachelorette is considered a potential competitor for the attention of a husband.
Parents train their sons and daughters in the proper choice of a mate. Both are reminded that if they marry, they had to get along well not just with one another but with their in-laws as well.
Before marriage, the boy's parents seek the approval of the girl's parents for MARRIAGE with their daughter. This called pamanhikan. The man's parents often take along someone whom they believe is highly respected by the girls parents. This was especially when they fear that the girl's parents would say no. The grandparents of the man also join the pamanhikan. They first engage into discussions regarding the latest happenings and when the proper climate is established, the man's father states the purpose of their visit, which is to ask for the girl's hand in marriage. The girl's parents are not expected to agree immediately. They will first talk about the shortcomings of their daughter. If the future in-laws persist the parents of the bride give their consent. The details of their marriage are discussed and agreed upon during the next visit of the future parents-in-law.
The wedding reception is held in the bride's home. Members of the community volunteer to help bridegroom in one way or another by either contributing some money or by offering their services in the preparation of the wedding feats.
About the Art
Filipinos are lovers of art. Their art is reflected in the things they do and way they believe in daily life. Our ancestors passed their time singing awaits, corridos, and reading stories about the bravery of legendary heroes. For stage dramas they performed the Zarzuela and the moro-moro, forms of art which depicted the life of the people.
The best examples of architecture of the sixteenth to the nineteenth century are the churches built by the Spaniards with the help of the Filipinos. They are structures built in Baroque style with elaborate curved arches, altars and images of saints.
Filipinos love music in any form. This is evident in the presence of various string and wind musical instruments in almost all communities even before the coming of the Spaniards, the skill of the Filipinos in playing musical instruments can gauged when one listens to a number played by a rondalla. A rondalla is composed of musicians that play stringed musical instruments such as the guitar and the ukulele.
The idea of organizing a rondalla must have been born during the latter part of Spanish rule in the Philippines when the guitar was introduced. Added to the guitar was other string instruments that pre-Spanish Filipinos played and nine other instrument that were added much later. All together these instruments formed the nucleus of the rondalla. The rondalla was popular entertainer in almost all sorts of gatherings like baptisms, wedding, fiesta, and funerals. It also rendered accompaniment to vocals, violins and other instruments, solos, and choral ensembles. The rodalla thus became an essentials part of social gatherings.
The Filipinos also love to sing and dance. Their songs range from folk to pop; classic kundiman to modern operas. They sing to their souls content. The Philippines has contributed its share of the world famous opera singers such as Jovita Fuente, Isang Tapales, Conchita Gaston, and Aurello Estanislao.
Dancing is the moving spirit among many Filipinos. Their skill on the dance floor is superb. Early indigenous dances represented nature. Other Filipino dances reflected Malay, Muslim, Spanish, and American influences.
Fifty years ago, every school program was a literary-musical program of Filipino songs, dances, dramas, and poems. Now, with school programs consisting of modern dances and plays, pop and jazz music, how can we expect our youth to be proud of the Filipino culture? What can be done before it is too late.
About the Games
Children of yesterdays played games that no longer familiar to the children of today. Their games were played either indoors or outdoors in involving little active participation.
Some games were imitations of what the elders did. The bahay-bahayan, lutu-lutuan were imitations of mother's household activities which the girls enjoyed playing. Other games were replicas of daily happening in the rural areas.
A typical example was the game Pusa at Aso. In a circle, sticks, slippers, and wooden shoes were placed to symbolized the bones of the dog' which was IT. The CATS who were the other players tried to get into the circle to steal the bones without being caught became the dog. This was repeated as many times for as long as the players are not tired of the game.
A more exciting game called Juego de anillo involved knights on bicycles trying their best to hook a ring dangling from a ribbon. Hulugang panyo reminded one of the days when ladies dropped their hankies to call the attention of the gentlemen.
A game popular to boys and adults is playing with the trumpo or top. The trumpo is a conical-shaped wood made from guava branches with a pointed nail at the tail of the cone. The trumpo spins on the iron-nail. In an outdoor game called podigo, one players would try to split another boy's trumpo placed in the middle of a drawn circle after spinning, he becomes the next taya or it.
Luksong tinik and Piko are moderately active games which are usually played by girls. Piko involves hopping on one or two legs through a series of rectangle drawn on the ground. Luksong tinik is played by two player who are seated facing each other and stretching their bare feet are in contact.
Touching the toes are their fingers, one above the other is spike form. The other players jump over the feet; then over the feet and one hand, and so on until all the hands are spread over the feet. A player may continue playing as long as he does not touch any of the formal spikes; the moment he touches them, he becomes the it.
Quite games at siesta time can either be the siklot or sungka. Siklot uses sigay shells, sampaloc seeds, or pebbles. The player gently tosses the shells and catches them back with her hand. The forefinger hits the shells that fall to the floor one by one. When the player succeeds in catching and hitting everything, he gets a prize. The game continues until all the shells have been captured.
Sungka like siklot, also needs shells sigay or tamarind seeds. The game hole carved in it. Each hole to begin should contain seven shells. One player drops one shell onto each hole. He picks the other shells in the hole where he drops his last shell, then continues dropping a shell in each hole. He continues playing as long as he has shells to drop. Should he drop his last shell into an empty hole, then his chance to play ends. It is now the other player turn.
THE FILIPINO RELIGION

Before the introduction of Christianity, the Filipinos were mostly pagans. They worshipped spirits which they believed dwell in objects like trees, mountains, rivers, ect. They worshipped nature, the sun the moon, and the stars. They also believed in a supreme God or deity. Because of their belief in a deity and in animate or living things their religion was called animo-delsm.

It was not long after the Spain colonized the Philippines that the Filipinos become Christians. Today, majoruty of the Filipinos are Catholics. But a group of Filipino Catholics headed by Mr. Gregorio Aglipay founded the Philippines Independent church. This splinter, nationalistic group does not recognize the Pope as the head of the Catholic church. But their beliefs and doctrines are the same as of the catholic. This group are called Aglipayan after their founde.

Another Filipino church and one of the true Filipino church that has originated in the Philippines is the IGLISIA NI CRISTO which has a fast growing membership throughout the Philippines and the world.

According to Encyclopedia Britanica Macropaedia page #246 Volume 6 IGLISIA NI KRISTO is the largest entirety indigenous Christian church in the Philippines. Its members assert that the early church was restored in GOD'S chosen nation, the Filipinos when Brother FELIX Y. Manalo launched this church in 1914. Rapid growth after 1945 produced some 600,000 members by the late 20th century, imposing chapels throughout the nation, and wealthy centralized organization under Bishop ERANO G. MANALO, the son of FELIX. Strong discipline from the leaders dictates a literal interpretation of the BIBLE and suggest individual contribuitions and the casting of votes, making the church a substantial political power. Unitarian in theology and Philippines in its language, liturgy, and music it represents a popular anti-Western movement for spiritual independence.

THE CATHOLICS CELEBRATIONS AND PRACTICES

In spite of the diverse religious groups in the Philippines each with its particular practices; the Filipinos believe in only one God who is almighty and omnipotent. Religious practices show concern and love for one's neighbors. Among the Catholics, the Ten Commandment's set the standard of behavior. They keep images of their saints at home and every church has a patron saint.

THE FIESTA CELEBRATIONS

Fiestas are held on the birthday of the patron saint celebrated with the holding of a novena, a nine-day devotion of masses followed by special prayers of praise to the patron saint. The plaza around t5he church is decorated with colorful buntings. On the ninth day which is the feast day of the saint, a high mass is celebrated by one or several priests. Suddenly the plaza is transformed into a mini-market where ready-made clothes, toys, fruits, and native delicacies are sold. A brass band plays after the mass and then makes a round of the immediate vivinity playing popular Filipino songs, marches and kundimans. This sets a happy, festive mood in the community with residents going on splurge entertaining relatives and friends from other towns.

The town fiesta is an event that the residents look forward to. Three or four months before the fiesta the family takes good care of a piglet and chickens earmarked for the fiesta. Of course, the fiesta is an occasion when friends and relatives can be together, enjoy each other's account of the past year's experiences and partake of the palatable dishes prepared for a day. Children living out-of-town make a special effort to come home and be with their parents, relatives, and friends for the fiesta.

The fiesta is a Filipino heritage that has been handed down from generation. It has its advantages as well as its disadvantages. Must we continue pertrating it as it is? Can it be perpetuated with certain modifications?

THE CHRISTMAS CELEBRATION

As soon as December sets in, everyone in the Philippines, young and old alike are busy preparing for the biggest religious activity on December 25. Houses are cleaned, painted and decorated with new colorful curtains, Christmas decorations and multicolored lights.Lanterns of different Christmas tree and a Belen are placed in the living rooms of the most homes.

The nine-day masses or Misa de Gallo, celebrated at dawn when the cock starts to crow begin on December. These masses are well-attended in spite of the fact that those who attend wake up as early as three o'clock in the morning. As one walks to the church, one will notice the streets lined with small stores selling puto, bibingka and puto bumbong.

The climax of the Christmas celebration is a midnight mass on Christmas eve, December 24. The family makes an effort to go this mass. On Christmas day children dressed in their best attires visit ninongs, ninangs, relatives and friends. They kiss the hands of the elders as a sign of respect. In return the elders give them money gifts or native delicacies. Christmas is for everyone and at no other time of the year is the family more complete. Even married children who are abroad make a special effort to be home in the Philippines for Christmas.

THE HOLY WEEK (CATHOLIC) CELEBRATION

The Lente season is as significant to the Filipinos as Christmas. Christian Filipinos commemorate the passion and death of Jesus Christ with as much sincerity and seriousness as His birth.

On Ash Wednesday, the faithful go to church were a sign of the cross is imprinted with ashes on the forehead of every season. Chanting of the Pasyon (Christ's suffering before His death) in the native tongue of the region begins on Holy Week and is held at certain hours of the night. On Holy Thursday, the chanting goes on the whole day and night until the following morning. By Good Friday, the whole town is deep in meditation on the passion and death of Christ on the Cross. In Church one can observe individuals as well as families praying the Stations of the Cross.

Good Friday is a day of fasting and penance to atone for one's sins. A penance quite common in the barrios is for a penitent to cover his face with a black cloth and walk down the streets beating his back with thin bamboo sticks until blood oozes out of his wounds. In afternoon the devotees flock to church for sermon on the Seven Last Words of Jesus as he hung on the cross.

Easter Sunday is a memorable day. The faithful wake up early for the salubong, a re-enactment of the Risen Lord's meeting with His Mother at dawn.

There are many more religious celebrations and festivities observed by the Catholics in the Philippines which vary from community to community and all of which give honor and glory to Jesus Christ this is according to all Catholics believers.

Other Religions like the INC, the Baptist, Jehovas Witness, Born Christians and some Biblical in teaching do not celebrate the so called celebration.

ABOUT THE BURIAL.........

The loss of a member of the a family was an occasion for bayanihan. Friends, relatives and neighbors came to condole with the bereaved family. Flowers, and food and money were offered as tokens of sympathy.

Before the burial, there was a lamayan a vigil attended by all who wished to come. People at the wake participated in some activities such as gambling, telling stories, or playing mental games, to keep them awake through the night.

For as long as the deceased was in state, sweeping the floor and taking a bath in the house were forbidden. The bereaved were also cautioned to keep their tears from dropping in the coffin.

The general practice was for the bereaved family to bury the deceased member within 24 hours after his death. Close relatives and friends accompany the corpse to church for the religious rites then the funeral procession headed by the band of musicians proceeds to the cemetery.

ABOUT THE ALL SAINTS DAY (PANGANGALULUWA) (practice by the catholic religion)

November 1 is a day for remembering the dead. According to the catholic belief though it is not biblical. Tradition has it that the immediate members of all the deceased go to cemetery a few days before All Saints Day to clean and white-wash the tombs of their dead. On the day itself, the family attends a mass before going to the cemetery bringing with them flowers, drinking water and food to last till midnight. The cemetery becomes a busy and crowded place. Candles are lighted during the day and all through the night to the wee hours of the next day.

Another custom during ALL SAINTS DAY called pangangaluwa, is based on the belief that the suffering of souls in purgatory would be lessened if the living would pray for them and material help is given to the living, this is according to the catholic believers.

At about 10:00 in the night until the early morning hours, men and woman went singing from one house to another representing the souls in purgatory and asked for alms. Later, however, barrio folk did not entertain these souls anymore because instead of aski8ng for alms, the mangangaluluwa stole things underneath the houses and picked fruits on trees in the yards. They would then least on all these stolen goods.

ABOUT THE FILIPINO FOODS.....

The food of the Filipino is simple. Rice is the chief food. Together with rice, fish or meat and vegetables are eaten. The Filipino is fond of eating pork, chicken, corn, fruits, and vegetables. One of the more popular foods of the Filipino on special occasions is lechon, a whole pig roasted over charcoal fire. Adobo is another popular dish which almost every Filipino can cook. Eating is done with the hands and for outdoor meals, the banana leaves serve as plates. The Filipino cooks his food in clay pots over a clay stove (kalan) using wood to build a fire.

ABOUT THE FILIPINO CLOTHES....

Our ancestors, both men and woman wore two-piece clothes; a collarless, short-sleeved jacket and strip of cloth wrapped around the waist and in between the legs. The women wore the baro, a wide-sleeved jacket and a skirt of cotton cloth wrapped about the waist. The Filipina wardrobe was later modified. The says, the tapis and the enagua comprised the ladies wear. Do you know how these looked like?

They says is a long skirt which touches the floor. It has a kola or train which mean the woman holds to keep it clean she moves. Printed satin is the usual material used for the says; brocade for gala use.

Over this says, a tapis with tassels on the edges is worn. Beneath the saya and tapis is the enagua, a slip with lace edging.

The elegant clothes of the Filipino women are properly taken cared of. Women give special attention to their clothes especially those made of fibers such as fina or sinamay.

ABOUT THEIR MANNER OF DRESSING

The washerwoman would sort out the white from the colored ones. the plain from the printed, the cotton and satin from those made of fibers. Dirt was removed using a wooden palu-palo or by trampling upon the clothes laid out on smooth rocks. Round sabon intsik or Chinese soap and blue tina were essential washing materials.

After washing, some clothes were starched. The starch used was made from rice lugaw pressed with a wooden sandok or ladle form a cheesecloth duyan (hammock) tied tto the clothes line at four points. below this was a wooden batya or basin to catch the starch. This was then gently patted on the barong tagalog and butterfly sleeves of the women's baro. The starched clothes were later stretched into shape and dried on the flat galvanized iron sheets.

Stains are removed from the clothes by dropping calamansi juice on the stained spots after which the clothes are bleached in the sunlight.

Starched clothes were sprinkled with water before pressing with a flat iron filled with glowing charcoal.

ABOUT THE FILIPINO HOUSES

The houses vary in the same style depending on their location and social status and taste of the family. Houses of the Filipinos are usually made of wood and nipa. Later galvanized iron replaced nipa for roofing.

In some towns, barrios, and cities, houses made of nipa and bamboo are still to be found. Some have sawali walls and cogon roofings. Most of the houses especially the older ones are situated high above the ground for better ventilation and reduced humidity. In the past, building a houses was fast and inexpensive. Houses were built then through the help of friends and neighbors.

Today there are only few bamboo houses. Most houses are already built of strong materials like hollow blocks, wood, galvanized iron and glass windows.

Modernity has not entirely changed the architecture of the Filipino houses. The batalan is stall a part of the houses in Luzon and is used as an open bathroom, a place for water jars or tapayan and a place for washing. The modern batalan is made of concrete and is still adjacent to the kitchen.

The banguerahan, a storage shelf and drainer before the dish rack was introduced, is still a part of a few modern houses. The modern banguerahan is no longer enclosed with bamboo spikes but is screened.

The old house of before were not painted. The present ones are painted in varied colors and built styles. The old houses were built high on the ground and the space below calle4d silong was fenced with bamboo to keep pigs, dogs, and chickens out.

Chairs, tables, beds and other furniture are found in most hours. Many Filipinos, particularly t6he Tagalogs, still prefer to sleep on bamboo or wooden floors instead of on beds.

Some years ago kerosene lamps were used in most houses. Now electricity has found its way in almost all houses. The old kalan or native stove has been replaced by electric ranges; the palayok or native pot by aluminum pots and pans. Firewood and charcoal are still used by some Filipino housewives especially now that gas and electricity have become very expensive.

The verandah or porch is still a part of today's houses. Pots of ferns and flowering plants surrounded the wall kept verandah. The artistic touch of the Filipino is still evident in his house. In a one-room house, you can see curtains hanging on the walls and windows, and a family picture and a saint prominently displayed in one corner of the room.

The Filipinos also displays neatness and cleanliness in keeping their houses. The Filipinos housewife uses different kinds of brooms for cleaning. There is the salary or soft broom for sweeping the floor; a smaller one for dusting wall carvings and picture frames; the walis-tingting or stiff broom for cleaning and stone floors; and the plumero, a broom made from chicken feathers for dusting. Buckets, wooden scrub brushes with thick bristles, bunot or coconut husk, dustpans, bar soap, gugo or native shampoo, is-is leaves, banana leaves, kerosene and coconut oil are also used for cleaning the houses.

Floor wax was prepared by homemakers from candles, atsuete and kerosene melted from glowing embers. In some homes, hardwood floors were swept from scrubbed with is-is before wax was applied. When the sticky wax was dry, the floor was scrubbed again until it became very shiny. The furniture, window sills, staircases and walls were also scrubbed with is-is leaves or polished with wax. Kitchen tables were cleaned with is-is leaves, water, sand and ash. Those made of zinc were wiped with kerosene.

Source:http://www.livinginthephilippines.com/culture-and-people/philippine-culture/culture-and-traditions/415-filipino-culture-customs-and-traditionsCopyright © 2016 Living In The Philippines. All Rights Reserved.

Philippine Courtship

     Panliligaw or ligawan are the Tagalog terms for courtship, which in some parts of the Tagalog-speaking regions is synonymous with pandidiga or digahan (from Spanish diga, ‘to say, express’).  Manliligaw is the one who courts a girl; nililigawan is the one who is being courted.
   In Philippine culture, courtship is far more subdued and indirect unlike in some Western societies.  A man who is interested in courting a woman has to be discreet and friendly at first, in order not to be seen as too presko or mayabang (aggressive or too presumptuous).  Friendly dates are often the starting point, often with a group of other friends.  Later, couples may go out on their own, but this is still to be done discreetly.  If the couple has decided to come out in the open about their romance, they will tell their family and friends as well.
bahay-kubo-courtship-large
  In the Philippines, if a  man wants to be taken seriously by a woman, he has to visit the latter’s family and introduce himself formally to the parents of the girl.  It is rather inappropriate to court a woman and formalize the relationship without informing the parents of the girl.  It is always expected that the guy must show his face to the girl’s family.  And if a guy wants to be acceptable to the girl’s family, he has to give pasalubong (gifts) every time he drops by her family’s house.   It is said that in the Philippines, courting a Filipina means courting her family as well.
   In courting a Filipina, the metaphor often used is that of playing baseball.  The man is said to reach ‘first base’ if the girl accepts his proposal to go out on a date for the first time.  Thereafter, going out on several dates is like reaching the second and third bases.  A ‘home-run’ is one where the girl formally accepts the man’s love, and they becomemagkasintahan (from sinta, love), a term for boyfriend-girlfriend.
   During the old times and in the rural areas of the Philippines, Filipino men would make harana (serenade) the women  at night and sing songs of love and affection.  This is basically a Spanish influence.  The man is usually accompanied by his close friends who provide moral support for the guy, apart from singing with him.
  Filipino women are expected to be pakipot (playing hard to get) because it is seen as an appropriate behavior in a courtship dance.   By being pakipot, the girl tells the man that he has to work hard to win her love.  It is also one way by which the Filipina will be able to measure the sincerity of her admirer.  Some courtships could last years before the woman accepts the man’s love.
  A traditional dalagang Pilipina (Filipinpa maiden) is someone who is mahinhin (modest, shy, with good upbringing, well-mannered) and does not show her admirer that she is also in love with him immediately.  She is also not supposed to go out on a date with several men.  The opposite of mahinhin is malandi (flirt), which is taboo in Filipino culture as far as courtship is concerned.
  After a long courtship, if the couple later decide to get married, there is the Filipino tradition of pamamanhikan (from panik, to go up the stairs of the house), where the man and his parents visit the woman’s family and ask for her parents blessings to marry their daughter.  It is also an occasion for the parents of the woman to get to know the parents of the man.
  During pamamanhikan, the man and his parents bring some pasalubong (gifts).  It is also at this time that the wedding date is formally set, and the couple become engaged to get married.
Source: Seasite Edu
   Traditional filipino coutship can be considered as one of the most unique ideas in courting. You can always feel the sincerity and respect of the guy to the one he really love. That is why almost all the couples in the Philippines have their happy ending.

Source: Seasite EduSource:https://pinoycooltures.wordpress.com/category/tradition/

Buhay Pinoy

Filipino Holy Week Traditions

  While this Easter might be more special due to the Chinese Year of the Rabbit, it’s good to remember decades’ worth of Catholic traditions to commemorate the religiosity of the Philippines. During the Holy Week, there are seven days that stand between you and Easter Day, which for many means celebrating the end of all the Lenten sacrifices that they committed to with varying amounts of success.  This most sacred tradition unites Catholic Filipinos all over, Manileno or Davaoeno. But that doesn’t mean that they have to celebrate Holy Week in the exact same way.  Here, we share some of the rituals and habits--practicised willingly  or not--that the different Filipino peoples do to celebrate the salvation of the world.

Palaspas Sunday
  When Jesus entered Jerusalem, he was greeted with a flurry of palm leaves. Nowadays, we can feel like Jesus himself (blasphemy not intended) entering Metro Manila, as vehicles wheeling intochurch vicinities are swarmed by vendors of palm leaves. Crafted by their own hands, palaspas as vernacular calls it, cost between 10-30 Pesos depending on the intricacy of their designs. During the Final Blessing of Palm Sunday’s mass, the priest calls forth all lost sheep of Christ so that their palaspas can be blessed. The palaspas thereafter are hung outside doors and windows of Catholics to welcome Jesus into their homes.

Holy Monday, Tuesday, Wednesday

  The Moriones Festival in Marinduque is held in commemoration of the story of Longinus. Longinus is said to be a Roman soldier who was blind in one eye. When Jesus was pierced on his side, the blood that spattered landed on Longinus and he regained sight. He was then converted to Christianity. The people of Marinduque wear colorful masks of Roman soldiers and festively celebrate the miracles of the death of Christ. This culminates on Easter Sunday.

Maundy Thursday

The Washing of the Feet
On the eve of Jesus’ Last Supper, he washed the apostles’ feet – yes, including the dirt between the toes of Judas. As a symbolism for cleansing, the priests invite the faithful sinners to have their feet dipped into holy water as they humbly kneel for the act. This tradition is observed by big shot Manilenos to small town Illongos until far south Davaoenos looking to share in their attempt to be worthy of living out the commandment, “Love your neighbor as I have loved you.” It is a reminder of the meekness that allows one to inherit the earth.

Bisita Iglesia

  Metro Manila traffic builds up on this day as many head out to provinces for their hometown rituals or, you know, the beach. Another cause for traffic, however, is the procession of young ‘uns walking from one church to another to, supposedly, say their prayers. Parked cars line the sidewalks outside churches to accommodate visitors who follow the tradition of going to seven churches to perform the Stations of the Cross. If you go to a church you’ve never been to, you can make a wish as well!

No Television or Radio
  Sit back, relax, and enjoy the Passion of Christ on TV. Turn on the radio and hear programs of “The Seven Last Words.” Learn the lines of Moses as he receives the Ten Commandments from a talking burning bush. Yup, cable TV and your iPod are your salvation for entertainment beginning this day.

Good Friday, Friday, Friday

  This day isn’t particularly fun, fun, fun, fun. Davaoenos firmly follow a rule of silence on this day. No Justin Bieber songs can be played on the radio. (If only that could happen everyday.) Many provinces like Rizal and some churches in Manila participate in a rosary procession behind an image of the mourning Holy Mother of Jesus while Pampangenos and Batangenos do Pasyon, or a re-enactment of the passion, death, and resurrection of Christ recited as an epic poem. This is also the last day of the series of Pabasa, or the reading of verses from the Bible. There is an exchange of dialogue between groups of readers and this could go on for hours. Food and drinks are stationed nearby to sustain the devotees.

Easter Sunday
  Salubong is an early morning vigil for the meeting of the Holy Mother and the Risen Jesus. Dressed in black, the image of the Holy Mother is surrounded by many praying and singing of glory for the resurrection. Throughout the day, families gather at buffets to end their season of Lent with a feast. No more fasting or abstinence, the kids get an extra treat of going on an Easter egg hunt taken from the Western tradition.

By: Aussy Aportadera(Source: shutterblog.multiply.com)(Source: i636.photobucket.com)(Source: lh3.ggpht.com)
(Source: sungka.files.wordpress.com)
(Source: festivalsinthephilippines.com)
Source:http://www.juice.ph/buhaypinoy/features/filipino-holy-week-traditions


Fashion GPS

5 Technology Trends Transforming the Fashion Industry

   The innovations taking place at the intersection of fashion and technology are profoundly amazing and transformative. In many respects, the fashion industry today bears little resemblance to that of a decade ago—and will change even more in the decade ahead.

   Legendary businessman Peter Drucker famously said, ”Trying to predict the future is like trying to drive down a country road at night with no lights while looking out the back window.” He’s right, which is why I’m not going to try to predict the future here.
  I am, however, going to energize your imagination with five trends that will help create that unpredictable future—trends that are taking shape right now, that Fashion GPS is tracking closely, and with which all of us in the fashion industry will need to grapple in the years ahead

1. Wearable Technology Blurs the Line Between Tech and Fashion

  What it’s about: The most obvious examples of wearable technology today are Google Glass and a variety of smartwatches—but these are rudimentary first steps into the realm of wearable tech.
  What happens, for example, when smart fabrics (you may already be aware of the San Francisco conference in April focusing on this trend) enable fashions to incorporate sensors that emit aromas or interact with the environment in different ways? Imagine fashions that alter their color or texture based on surrounding conditions of light, heat or sound.
  Or, for another example, imagine fashions that seamlessly and invisibly incorporate biofeedback to support an individual’s health and wellness. Would you like some smartclothes to go with your smartwatch and smartphone?
  Why it matters: The days of fabric as a strictly static resource are coming to a close—the days of fabric as an active (and interactive) resource are just beginning.

2. Fashion Week Becomes 52 Fashion Weeks Each Year

  What it’s about: Digital Fashion Week is something of a curiosity now, but it’s the beginning of what could be a sea change in the fashion world.
  Just as the internet and the 24/7 news cycle have been laying waste to weekly news magazines and daily newspapers, the hyper-networked fashion world to come is likely to transform any given Fashion Week into worldwide industry event that lasts 365 days a year.
  This transformation will probably occur in stages, the first of which is global participation in local events. Live streaming of runway shows is already commonplace, and the impact of the social media component of those streams is only beginning to be understood and leveraged in a way that can benefit fashion brands.
 Why it matters: Consider 1,000 people in New York and 1,000 people in San Francisco viewing an Amsterdam Fashion Week event. A new product hits the runway and the buzz in San Francisco is off the meter, while the reaction in New York is ho-hum at best. The retail implications for the brand presenting that product—and understanding the buzz both quantitatively and qualitatively—could make or break the product launch. That’s a single data point. Now imagine a flood of data points 365 days a year.

3. 3D Printing Means Everyone Becomes A One-Person Factory

  What it’s about: If you haven’t heard much about 3D printing,    brace yourself: Imagine having a printer in your home or office that, instead of putting ink to paper, actually creates three-dimensional solid objects. Print a pair of shoes? A handbag? A dress? Yep: All of the above … and more.
  According to Forbes, 3D printing will be a $3.1 billion industry by 2016 and a $5.2 billion industry by 2020. I think those predictions are too conservative.
  To understand how 3D printing will transform the fashion industry in the years ahead, compare and contrast life today with life before computers and smartphones and the internet. That’s the kind of transformative change that will be brought about by easily affordable 3D printing.
  Over the past 20 years, the near-ubiquity of computers has democratized information and media. Publishing and broadcasting, once available to just a privileged few, are now available to anyone with an idea and a laptop or tablet—and that idea can be made available to anyone on the planet with the click of a mouse.
Why it matters: Think about designers in offices, apartments and garages developing accessory prototypes—or engaging in full-on production without any middleman whatsoever. Or imagine designers creating scale models of—well, of models wearing the designs they’ve created; how might those scale models be used to popularize and sell fashion? The possibilities are endless. The impacts will be enormous.

4. Smart Use of Metadata Will Give Brands A Competitive Edge

  What it’s about: You’ve been hearing plenty in the news lately about metadata and the NSA, and you’re probably familiar with metadata as it relates to web pages. But consider other kinds of metadata.
  How customers and potential customers interact with online product databases (GPS Styles, for one example) can reveal patterns of interest and intent that can suggest which products have the greatest possibility for success.
  Gathering metadata is the easy part: Every digital action leaves a footprint, and capturing those footprints is a relatively minor issue. However, as everything that everyone in the industry does takes on a digital component, the volume of data capable of being captured is incalculable. This begs the question of how to make sense of it all.
  Why it matters: Knowing how to sift through the haystack of information to identify needles of insight that can help weave profitable new strategies—that’s where the smart use of data-mining technologies coupled with strategic analysis will drive new avenues of success for fashion brands large and small worldwide.

5. Technology Will Make Everything You Know Today Obsolete in 10 Years

  What it’s about: Moore’s Law states that the processing power of computers will double every two years. The term originated around 1970, and it’s held fairly true since then (though some analyses of Moore’s Law say the doubling occurs every 18 months).
  In other words: A decade from now, the processing power of the average computer—or smartphone—will be 32 times stronger than it is today.
  Imagine the seismic shifts that power will create: Those needles I referred to above might be easier for the entrepreneur to find. The digital capabilities of today’s biggest fashion brands will be dwarfed by the startup brands of 2024. The technology trends starting to emerge today will accelerate exponentially over the coming decade.
  Why it matters: The truly successful fashion brands of tomorrow will be those that can not only recognize and cope with the pace of change, but embrace it. They will be aware of both the megatrends and microtrends in our industry—and will be flexible enough to strategically act on them with bold conviction.

By Anish Singh, CTO, Fashion GPSSource:http://www.fashiongps.com/blog/5-technology-trends-transforming-the-fashion-industry/